Meanwhile pretty coed Megan (Elizabeth Burderman) and Dan try to uncover the mysteries of this infernal youth order, while Devon initiates Chris with one of the more perverse three-way scenes in horror history. Don't expect any dense narrative layering or emotionally sensitive direction; it's pure popcorn fare and gets the job done well enough. From the sleek widescreen compositions to the thunderous surround mixes, these should keep home video tech buffs happy. From the sleek widescreen compositions to the thunderous surround mixes, these should keep home video tech buffs happy. During a nocturnal swimming pool bash, a strange buffed outsider, Luc (Forrest Cochran), offers John and two of his buddies a chance at untold power by joining an ancient sect of warlocks, who cast black magic in their skivvies and walk around the campus wearing black shades. / Directed by David DeCoteau / Starring Nathan Watkins, Josh Hammond / Ventura (US R1 NTSC) / WS (2.35:1) / DD2.0 Released the same year as the markedly similar but far less entertaining Soul Survivors (itself a thinly disguised teen rip-off of The Sixth Sense, this sole film in the batch to bear a legitimate R rating is the most traditional horror venture but shares the ogling sensibility of the first two Brotherhood films. This amusing high school yarn begins with a single mom (the always watchable Brinke Stevens) bringing her teen son, Corey (Matt Twining), to a new town after a tragic mishap at his old school (involving wrestling, believe it or not). Brotherhood Photos View All Photos (18) Movie Info. A more appropriate third installment for the series would have been The Frightening, paired up as a DVD double feature with The Brotherhood III. Shot outdoors in Canada (probably near those same damn woods from most of the Masters of Horror episodes), Beastly Boyz features not only a different tone from the expected (probably due to the frequent juxtaposition of sharp knifes and tight underwear, which will probably send UK censors into fits) but a completely new visual look as well. Acting is less impressive, thanks mainly to the stilted script and wafer-thin characters, but sometimes you can't have everything. Shot in Los Angeles and Canada, these inaugural efforts for DeCoteau's film company, Rapid Hearts, look and sound considerably more impressive than his previous horror work. However, the most unforgettable sequences are the two longest murder set-pieces, one in a shower (with some jolting, quasi-sexual bloodletting) and another involving a long bondage scenario that turns incredibly disturbing. DeCoteau provides commentary for all four films and is joined on the first by Bradley Stryker. Or do they...? For more entertainment in the same, uh, vein, may we also direct you to the astonishing Voodoo Academy (the uncut DVD only, of course) and the first Rapid Hearts film, Ancient Evil. Borderline unwatchable, these at least prove that the films were actually shot in some variation of the Super 35 procedure, with the actual 35mm negative shot somewhere around 1.85:1 but framed for scope presentation, as demonstrated by the ample dead space usually visible at the bottom of the frame. While the "hot, young line-up" ad art looks like your average Dimension Films horror knockoff, these are peculiar puppies indeed and guaranteed to live on in the pantheon of off-kilter cinema. No, it's not about werewolf rap artists. Much fog ensues. It is the sequel to Adulthood, and is the third and final instalment of the Hood trilogy. While all are entertaining and worthwhile, the dual commentary is the best of the bunch as the two riff off each other throughout the film. They run up and down dark hallways a lot. Or do they...? It's still demented enough to keep an adventurous horror fan's attention, however, and it looks and sounds great. The film features the disturbing Neo-Nazi element, but in a partially and perverse sympathetic light. While all are entertaining and worthwhile, the dual commentary is the best of the bunch as the two riff off each other throughout the film. While the "hot, young line-up" ad art looks like your average Dimension Films horror knockoff, these are peculiar puppies indeed and guaranteed to live on in the pantheon of off-kilter cinema. While the insert for the first Brotherhood disc states all these titles were anamorphically shot at 2.35:1, that doesn't appear to be the case exactly. Newbie Chris (soap actor Samuel Page, acting here as "Nathan Watkins") winds up sharing a dorm room with twitchy Dan (Josh Hammond) but catches the eye of frat boy Devon (Bradley Stryker), who tries to lure him into going Greek. Filmmaking, two brothers, and the topics that really matter! Don't expect any dense narrative layering or emotionally sensitive direction; it's pure popcorn fare and gets the job done well enough. / Directed by David DeCoteau / Starring Nathan Watkins, Josh Hammond / Ventura (US R1 NTSC) / WS (2.35:1) / DD2.0 The double feature discs from Ventura, all framed at 2.35:1, feature much more satisfying framing, adding substantially to the sides but losing that extraneous vertical information. The actors' performances are difficult to evaluate since they don't really have dialogue to deliver, but they do the cat-and-mouse routine effectively enough and manage to outrun Tom Cruise at his most fleet-footed. Brotherhood. This is the page of the annual European Festival of Brotherhood. A sequel in name and underwear only, The Brotherhood II: Young Warlocks hops over to an upscale private academy where John (Sean Faris) suffers daily torment from a gang of preppy bullies, who are apparently jealous of the attentions given to him by pretty Mary (Stacey Scowley). Each title contains its own trailers and photo galleries, while the second disc includes a healthier dose of goodies including Brotherhood III cast auditions and behind-the-scenes footage (most of it raw but fairly interesting; the former consists of cast members reading out lines from The Frightening, since the movie didn't have a finished script yet). However, the most unforgettable sequences are the two longest murder set-pieces, one in a shower (with some jolting, quasi-sexual bloodletting) and another involving a long bondage scenario that turns incredibly disturbing. Or do they...? Cristina is forced to make a new deal with Andrade. Despite the numbering of the titles, newcomers may want to start out with this one instead; it's arguably the best of the series and will probably appeal to fans of Buffy the Vampire Slayer, too. The students are dying in a horribly sadistic fashion, and a mysterious clique of teens appears to have its eye on Corey. Don't expect any dense narrative layering or emotionally sensitive direction; it's pure popcorn fare and gets the job done well enough. It's a fairly amusing conceit actually and makes the film seem a lot more perverse than it really is; the actual gore content is kept to a minimum and there's no nudity per se. A vampire film more by suggestion than action, The Brotherhood tosses in some riffs on the old Dorian Gray story and sets it all at a sunny college campus. They run up and down dark hallways a lot. / Directed by David DeCoteau / Starring Matt Twining, James Foley / Ventura (US R1 NTSC) / WS (2.35:1) / DD2.0 There's also a laughable shower scene that must be seen to be believed, and it all ends with an anti-climactic ending that should have most patrons hurling their remotes at the TV. THE FRIGHTENINGColor, 2001, 86 mins. While the "hot, young line-up" ad art looks like your average Dimension Films horror knockoff, these are peculiar puppies indeed and guaranteed to live on in the pantheon of off-kilter cinema. While Hollywood studios were cashing in on the quickly diminishing Scream craze, prolific B-movie maestro David DeCoteau, the man behind such cable favorites as Creepozoids and Dr. Alien, rode the teen horror wave in a quite unexpected fashion with a quartet of home video cult favorites which quickly found an audience, though perhaps not the one originally intended. Despite the numbering of the titles, newcomers may want to start out with this one instead; it's arguably the best of the series and will probably appeal to fans of Buffy the Vampire Slayer, too. The Brotherhood Photos View All Photos (10) Movie Info. Much fog ensues. All-in-all, this is THE album I go to when I want something fun and uplifting but not pop-y. Director: Meryam JoobeurWinner of the City of Melbourne Grand Prix for Best Short Film at the MIFF 2019 Shorts Awards. Based on a true story, it is about a struggling young father (Baldwin) who can no longer support his wife and family, falling in with a beginning group of white supremacists led by a man (... See full summary ». There's also a laughable shower scene that must be seen to be believed, and it all ends with an anti-climactic ending that should have most patrons hurling their remotes at the TV. 1. Each title contains its own trailers and photo galleries, while the second disc includes a healthier dose of goodies including Brotherhood III cast auditions and behind-the-scenes footage (most of it raw but fairly interesting; the former consists of cast members reading out lines from The Frightening, since the movie didn't have a finished script yet). THE FRIGHTENINGColor, 2001, 86 mins. The first two titles were released in blearly-looking, full frame editions from City Heat, with weak colors and distracting cropping in almost every shot. The students are dying in a horribly sadistic fashion, and a mysterious clique of teens appears to have its eye on Corey. DeCoteau tries to downplay the homoeroticism angle, not too convincingly, by simply arguing that he wanted to provide a novel twist on the usual horror formula. Ditto for the second pairing of The Brotherhood III and The Frightening, both of which benefit from the scope presentation lacking on the VHS and stand-alone DVD releases. The following year, he returned to the big screen as Michael Carter in Feed (2005), a movie that he also co-produced and helped write. Sam has grown up and is a different person to the one we saw in Kidulthood but trouble still seems to follow him in the form of an enemy who has come to seek revenge. Meanwhile pretty coed Megan (Elizabeth Burderman) and Dan try to uncover the mysteries of this infernal youth order, while Devon initiates Chris with one of the more perverse three-way scenes in horror history. True enough, but anyone who's seen his wacko softcore work like Petticoat Planet and particularly Naked Instinct should know that he's always been one to give a little something to every segment of his audience. Much fog ensues. [Warning: possible spoiler alert!] However, something's amiss at his new school. True enough, but anyone who's seen his wacko softcore work like Petticoat Planet and particularly Naked Instinct should know that he's always been one to give a little something to every segment of his audience. While the insert for the first Brotherhood disc states all these titles were anamorphically shot at 2.35:1, that doesn't appear to be the case exactly. Ah, and then there are the extras. Shot in Los Angeles and Canada, these inaugural efforts for DeCoteau's film company, Rapid Hearts, look and sound considerably more impressive than his previous horror work. Shot in Los Angeles and Canada, these inaugural efforts for DeCoteau's film company, Rapid Hearts, look and sound considerably more impressive than his previous horror work. For more entertainment in the same, uh, vein, may we also direct you to the astonishing Voodoo Academy (the uncut DVD only, of course) and the first Rapid Hearts film, Ancient Evil. DeCoteau tries to downplay the homoeroticism angle, not too convincingly, by simply arguing that he wanted to provide a novel twist on the usual horror formula. For more entertainment in the same, uh, vein, may we also direct you to the astonishing Voodoo Academy (the uncut DVD only, of course) and the first Rapid Hearts film, Ancient Evil. Newbie Chris (soap actor Samuel Page, acting here as "Nathan Watkins") winds up sharing a dorm room with twitchy Dan (Josh Hammond) but catches the eye of frat boy Devon (Bradley Stryker), who tries to lure him into going Greek. Your AMC Ticket Confirmation# can be found in your order confirmation email. Released the same year as the markedly similar but far less entertaining Soul Survivors (itself a thinly disguised teen rip-off of The Sixth Sense, this sole film in the batch to bear a legitimate R rating is the most traditional horror venture but shares the ogling sensibility of the first two Brotherhood films. 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