They sought to capture the idea of modernity by demonstrating the beauty of the machine and sensations and aesthetics of speed, movement, violence, industrial development, and change. As Futurism’s leading theorist, Boccioni considered the work of other Modernist artists to be mired in what he called “analytical discontinuity”, meaning their attempts to show life lacked vitality. [3] In 1912–13 Boccioni created several other sculptures[4] including his 1913 Development of a Bottle in Space. It has been said that the sculpture alludes to Rodin’s The Walking Man, which shows a more recognizable and traditional depiction of a man walking, though without head and arms. Umberto Boccioni and the Futurist City. The figure is also armless and without a discernibly real face. Two also were made in 1972, one of which is displayed at the Tate Modern in London. Polyphony Digital, the creators of the Gran Turismo series, used laser scanning methods to create an accurate replication of the sculpture. It was an 1909 when Italian poet F.T. He believed that succession should be conveyed by a single abstracted composition, through an “intuitive search for the unique form which gives continuity in space.”. It does not depict a particular person at a specific moment, but rather synthesizes the process of walking into a single body. is a very impressionistic way to depict movement and change. bronze sculpture by Italian futurist artist Umberto Boccioni. http://www.ideelart.com/magazine/umberto-boccioni-unique-forms-of-continuity-in-space [6] It is reminiscent of the classical Winged Victory of Samothrace, which Filippo Marinetti, founder of Futurism, declared was inferior in beauty to a roaring car. I believe I have glimpsed a complete renovation of that mummified art. It is telling that, Along with issuing numerous manifestos, including by. The human figure in motion, the prime element of Western art since antiquity, has been reconceived with stark and stunning originality.[4]. References: Yet, Boccioni’s sculpture is quite reminiscent of the ancient classical piece Winged Victory of Samothrace. All his work was infused with the energetic movement that referenced the Futurism and the modern machine age. Cartoons often use lines to express movement. The contours of this marching figure appear to be carved by the forces of wind and speed as it forges ahead. Boccioni’s Unique Forms of Continuity in Space, a sculpture depicting an abstracted, quasi-human form in motion, was considered at the time of its making to represent the height of achievement when it came to depicting movement through the plastic arts. Two bronze casts were made in 1931, one of which is displayed at the Museum of Modern Art in Manhattan. As a test, I showed the picture of the sculpture to my 81 year old dad with dementia and he said it looked like a running figure. [3] In 1912–13 Boccioni created several other sculptures[4] including his 1913 Development of a Bottle in Space. Michelangelo’s sculptures showed stationary known people in perfect detail, Rodin showed a walking anonymous and more impressionistic man and Boccioni showed a running, even more abstract figure. wanted to express this philosophy, including of constant change, movement, speed and moving in the future. Unique Forms of Continuity in Space represents a Futurist goal because the muscular forms seem to move outward with great energy. If the traditional viewer wants a single, unchanged, easily identifiable image, they miss the entire point and are exactly what the futurists were rebelling against. Believing that the “Machine Age” would result in an entirely new world order, they were determined to celebrate the industrialization. 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