Dresses could weigh 15 – 20 pounds. Hat Resource, Vintage Inspiration Bodices were minimal, cut to end under the bust thereby achieving a high waist that defined the silhouette. High energy self start up labels like Fubu and Karl Kani used high profile rap artists like Tupac Shakur and Shawn Combs as spokespersons and models for their lines. As the first wave of baby boomers came of age, the market shifted towards a more youthful silhouette. The abbreviated, linear forms of the 1920s quickly gave way to sinuous shapes and longer hemlines. Wartime regulations such as L-85, which regulated how much fabric and what garment types could be manufactured, were applied to both men’s and women’s clothing. The drop waist continued its popularity but skirts and bodices became more complex with seaming, circular flounces and floating panels. In History. Soft colors returned to fashion after a 10-year absence. Lanvin, Molyneux, Mainbocher, Patou and Maggy Rouff all had active fashion houses as did Vionnet, Chanel and Schiaparelli. Flounces grew in popularity, and soon dominated designs. Presented are a collection of hand-colored prints listed according to dates. Costume jewelry, popularized by Chanel’s signature faux pearl strands, became an accessory staple. The old etiquette (remember gloves and hats?) The corset starts disappearing as well, as many begin to find that tea gowns with no corset grow in popularity at gatherings. The 1960s were greatly transitional. Leg O’ Mutton, Melon, Gigot and Balloon were a few of the names given to this sleeve. Japanese fashion designers continued to push fashion barriers exploring gender-bending, sculptural, avant-garde silhouettes. In fact fringe, braid and lace were in their element and widely used. As the skirts began expanding, more and more petticoats were added underneath for added support (this is accomplished by adding crinolines and hoops. ) Glitter rock stars of the the time such as Kiss, Marc Bolan, The Sweet and the New York Dolls were dandy dressers in chiffon, spandex and satin. Quality, previously apparent by means of complicated fit and construction was now expressing itself through fabric and by manipulating a single layer of material. Shape and silhouette constantly evolved. A timeline created with Timetoast's interactive timeline maker. Italian designers like Pucci created psychedelic palettes of color, transforming wearers of simple silk knit gowns into walking works of art. The full length garden party dress with picture hat, the striking wool suit with portrait fur collar, the grand negligee – these were all part of the Hollywood in the 1930s look as well. Hems fell and hems rose but the hourglass silhouette remained. The wildly outrageous ‘club kid’ party scene, who exhibited hugely creative and sometimes grotesque outfits. Shawls worked wonderfully spread out over the width of the hoop and were popular for their ornamental possibilities as well as their functional role. This ideal silhouette included sloped shoulders, a narrow waist, and a full bust. The round hoop of 1860 evolved into an oval hoop by 1864. Trimmings of tucks and pleats were used to emphasize this new line. But 1860 saw changes: the sewing machine arrived bringing costs down, and synthetic dyes enabled intense colours. Both men’s and women’s activities centered around family and home and clothing changed as a result. This new freedom made it possible to sport a higher-waisted look and Poiret’s empire line was popular. The Hollywood phenomenon also spread to Europe. Over sized everything was the signature silhouette, sports team paraphernalia, denim, bomber jackets, track suits, Timberland boots, ‘Bill Cosby’ Coogi sweaters, and overalls were the preferred look. Overconsumption, oversized and just plain over-the-top were cornerstone features in this decade of excess and materialism. In the mid-1990s, British pop bands Blur, The Stone Roses and Oasis spearheaded a revival of 1960s and 1970s mod culture, including Mod haircuts, aviator sunglasses, stovepipe pants, green parkas Harrington jackets, velvet sport coats, striped shirts, polo shirts, and Union Jack motifs exemplified by the dress worn by band member Geri Halliwell from The Spice Girls. Public timelines; Search ; Sign in; Sign up; An Overview of Victorian Fashion by Decade Timeline created by Vern. Necklines were usually a simple scoop or “V” but when collars were used they emphasized the long line. This desire prompted many Hollywood couturiers to produce clothing for the mass market via department stores or their own collections. In the early 1870s the shoulders were allowed to return to the position nature intended. Horizontal hem treatments added focus to skirts. Dresses tended to be made of one fabric but with lace or trim for interest. Sleeves were either long and straight or with bell shaping. As the skirt developed, the back emphasis saw the creation of the first bustle, which had appeared by 1868. Exemplified by the white satin bias cut dresses as worn by Jean Harlow, the Hollywood look featured dramatic lines that played best to camera. To emphasize the wide neckline on evening dresses, Bertha collars following the décolleté were made of pleated fabric, ruffles, or lace. In 1889 the bustle began to fade, possibly joined by its wearers! 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