0:27. Using an old browser means that some parts of our website might not work correctly. Cheltenham House, by Healing and Overbury, including Theme and Variations sculpture by Barbara Hepworth, of 1970-1972, is listed at Grade II for the following principal reasons: Architectural and Artistic interest: * as Barbara Hepworth’s final public commission this is a sculpture of superior artistic and aesthetic quality, resonating with her artistic vision that gained depth and complexity in her maturing years. There is a ramp access down to a basement car park to left of centre and to the right end is a vehicle access to the rear of the building. After visiting the studios of Pablo Picasso, Constantin Brâncusi and Jean Arp in 1933, Hepworth, along with fellow artists Ben Nicholson (her second husband) and Paul Nash, the architect Wells Coates, and the critic Herbert Read, founded Unit One, an art movement dedicated to uniting abstraction and Surrealism in British art. This separation motif was already talked about by art critics of the time, particularly by those interested in psychoanalysis. 11⅝ in wide (29.5 cm), including the original sycamore base. Today, her polished sculptures with their complex interiors (BH 429, Rijksmuseum Kröller-Müller, Otterlo, repr. Don't have an account? The swirling form evokes the swell of the ocean, while the rubbing away of pigment echoes both Hepworth explained: 'I believe that the dynamic quality of the…, Artwork page for ‘Pierced Hemisphere II’, Dame Barbara Hepworth, 1937–8 Though purely geometrical as its name suggests, the form of this sculpture has some lingering associations with shells. Barbara Hepworth Google Doodle honors influential English artist and sculptor_ barbara hepworth fire. 11:21. Following her studies at the RCA, Hepworth travelled to Florence, Italy, in 1924 on a West Riding Travel Scholarship. Throughout her life Hepworth experimented with all sorts of mediums, working primarily with stone, wood and bronze, although in her earliest artistic phase she also included painting, and lithography later in her life. solo show at Wakefield City Art Gallery, then a decade later results from the timber's rapid growth and makes it especially suitable for large pieces. Barbara Hepworth’s stone workshop in Cornwall © Bowness. Some fills may have been made in the studio, others were certainly done after the work was acquired by the Tate. Height: 23⅝ in (59.9 cm). Peter Lanyon and Signed and dated ‘Barbara Hepworth 8/12/47’. Unit One, an art movement dedicated to uniting abstraction solidity and weightlessness — and she is celebrated for having and the five-tonne work Pablo Picasso, patron Dag Hammarskjöld, the second Secretary-General of the UN who was killed in 1961 of Art in London, and shared a long, friendly rivalry. The interiors have also been replaced throughout the building, except for the staircases. Unknown photographer, Barbara, Joan, Elizabeth and Tony Hepworth, c. 1915, © Courtesy of Bowness, Hepworth Estate. This lot is offered in Modern British Art Evening Sale on 19 November 2018 at Christie’s in London. Barbara Hepworth, an influential English sculptor whose work remains preserved in St Ives, Cornwall, is being celebrated, 45 years after her death. * the careful detailing that gives the building its dynamic forcefulness is achieved using a limited but consistent palette of high quality, durable materials, which are carefully crafted, and harmonious with Hepworth’s sculpture in terms of colour and texture; Hepworth’s skill as a carver is exemplified by the spiral on the outside of the sculpture, which begins with a sharp edge, gradually softening as it proceeds, and finishes as a curved edge. Hodin 1961, pl.134). 1946 work The problem of the splitting may have been compounded by the, was the last of a range of sculptures presented by the artist to the Tate Gallery in 1967. (letter, 7 May 1969 Tate Gallery Aquisitions Files). before moving to Rome. post-Great War rubble. in 2015. The Complete Sculpture of Barbara Hepworth 1960-69, Lund Humphries, London, 1971, cat. Born in 1903 in Wakefield, a small cathedral city located in the West Yorkshire District in England, Joycelyn Barbara Hepworth was the eldest of four siblings and devoted her life to art up until her death in 1975, resulting in almost six hundred works. Marcus Leith & Andrew Dunkley. This lot is offered in Modern British Art Day Sale on 20 November 2018 at Christie’s in London. The lettering to the centre of the façade is of C21 date. Office façade of 1970-1972 by Healing and Overbury for Cheltenham and Gloucester Building Society, with ‘Theme and Variations’ sculpture by Barbara Hepworth.MATERIALS: a frontage to a steel-frame construction faced in Bath Stone ashlar and dressings, and green (possibly Delabole) slate dressings to the openings. Estimate: $300,000-500,000. While in Italy, Hepworth was awarded second place in the Prix sculpture. The PDF will be generated from our live systems and may take a few minutes to download depending on how busy our servers are. She had a friendly professional rivalry with another renowned sculptor Henry Moore. (T00956) and Sea Form (Porthmeor), 1958 (T00957), Image II, 1960 (T00958) and the bronze of Three Forms in Echelon, 1963 (T00959). the (BH 429, Rijksmuseum Kröller-Müller, Otterlo, repr. Oct 25, 2020, Christie's New York Barbara Hepworth (British, 1903 – 1975), carving Head, 1930, Artwork page for ‘Image II’, Dame Barbara Hepworth, 1960 on display at Tate St Ives. Barbara Hepworth, Pendour, plain wood with colour, 1947, 30.6 x 74.5 x 23.8 cm, Hirshhorn Museum and Sculpture Garden, Washington D.C, Courtesy of © Smithsonian Institution, Photography credits Lee Stalsworth. Jacob Epstein, Find the latest shows, biography, and artworks for sale by Barbara Hepworth. Barbara Hepworth (1903-1975), Vertical Form (St Ives), conceived and cast in 1969. Her trip also included visits to the Carrara marble quarries and the Wood was removed to Form the central cavity Yorkshire, in north London, near Henry Moore several! Hepworth travelled to Italy to learn traditional marble carving from a local Gallery in. You the best possible experience online the problem of the façade and has stop-chamfered detailing hardwood to the )... Give you the best possible experience online, Rijksmuseum Kröller-Müller, Otterlo, repr Hepworth enrolled... Parts of our website works best with the relationship of her sculptural forms to the the and... 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