He is best known for a cycle of nine paintings, The Legend of Saint Ursula. The Legend of Saint Ursula (Italian: Storie di sant'Orsola) is a series of large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, originally created for the Scuola di Sant'Orsola (Ursula) in Venice. Carpaccio created several more works in Capodistria, where he spent the last years of his life and also died.[6]. Horrified that her pagan family would do such a thing, George brings the dragon back to her town and compels them into being baptized. On the left two long shelves, housing more books with gaudy covers, a series of antiques (vases, bronze and others), a candle basement shaped as a lion paw (another is placed symmetrically on the opposite wall) and, below, large volumes, a seat and a prie-dieu. Carpaccio portrayed the African saint in his studio, in the moment in which he is distracted from his reading by the voice of Jerome, coming as a luminous shape in the window near the desk. [citation needed] He was a pupil (not, as sometimes thought, the master) of Lazzaro Bastiani, who, like the Bellini and Vivarini, was the head of a large atelier in Venice.[1]. In later years Carpaccio appears to have been influenced by Cima da Conegliano, as evidenced in the Death of the Virgin from 1508, at Ferrara. Documents trace the family back to at least the 13th century, and its members were diffused and established throughout Venice. China Oil Paintings | [3] The St. George tale was enormously popular during the renaissance, and the confrontation between the knight and the dragon was painted by numerous artists. Resource Links | For this reason, and also because so much of his best work remains in Venice, his art has been rather neglected by comparison with other Venetian contemporaries, such as Giovanni Bellini or Giorgione. Some works have also partially detached from their canvas support and have areas of lifting and flaking paint, as well as scratches and abrasions. Vittore Carpaccio (c. 1465 - 1525/1526) was an Italian painter of the Venetian school, who studied under Gentile Bellini. Then the St. George story addressed the theme of conversion and the supremacy of Christianity. Like many other major works, the cycle was entirely lost in the disastrous fire of 1577. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. Fortini Brown argues that this increased interest in exotic eastern subject matter is a result of worsening relations between Venice and the Ottoman Turks: "as it became more of a threat, it also became more of an obsession. [2] From 1502 to 1507 Carpaccio executed another notable series of panels for the Scuola di San Giorgio degli Schiavoni which served one of Venice's immigrant communities (Schiavoni meaning "Slavs" in Venetian dialect). 9–23. In September 2019, an expected two-year conservation campaign began under the sponsorship by the non-profit organization Save Venice Inc. Carpaccio's depiction of the event thus has a long history; less common is his rendition of the baptism moment. The works dates to Carpaccio's mature period, when he was commissioned by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings narrating the stories of their patron saints (George, Jerome, Augustine and Tryphon). Complete list of Carpaccio's oil paintings, HOME | These works clearly show the influence of Antonello da Messina and Giovanni Bellini – especially in the use of light and colors – as well as the influence of the schools of Ferrara and Forlì. This page was last edited on 12 August 2020, at 09:52. Vittore Carpaccio, (born c. 1460, Venice [Italy]—died 1525/26, Venice), greatest early Renaissance narrative painter of the Venetian school. Carpaccio's late works were mostly done in the Venetian mainland territories, and in collaboration with his sons Benedetto and Piero. Vittore Carpaccio (UK: /kɑːrˈpætʃ(i)oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; c. 1465 – 1525/1526) was an Italian painter of the Venetian school, who studied under Gentile Bellini. At the side of the altars are two twin portals, with fine decorations in Renaissance style. In the 1940s, the paintings underwent restoration that has since discoloured Carpaccio's original vibrant palette to amber tones. Receive notice of sales promotion by email. Carpaccio, or Scarpazza, as the name was originally rendered, came from a family originally from Mazzorbo, an island in the diocese of Torcello. 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